Rajyashree Ramamurthi
What do I know about the Dancing Girl statuette from Mohenjo-Daro?
– That it is a small bronze figurine of a pubescent girl wearing bangles and some jewellery in what seemed to me as a predecessor of the odissi tribhanga stance.
– That it was just assumed that she is a dancing girl because of her posture and adornment.
– That Gregory Possehl – an archaeologist – called it “the most captivating piece of art from the Indus site”.
Captivating, it must have been for choreographer and performer Sujata Goel; enough to inspire her to develop the full length work – titled the same – that was featured on Saturday 15, October at the contemporary dance festival – IGNITE!
Engulfed in darkness, you wait in silence for the work to approach. And then…
You see what resembles an arrow head parallel to the floor pointing stage left. It is the bent elbow joint but almost before you have time to figure out which part of the dancer’s body it maybe, you are sealed in darkness once again. The next time you see two mounds about a foot and half off the ground that meet, creating an angle and opening out into a triangular structure towards the ground.