Claiming the Gendered Public Space

The program on October 10th, 2016 at IGNITE! held at Oddbird Theater was a lot about claiming the public space. For example it started with the film screening of the dance film SPEAR that spoke largely about Australian aboriginal men finding the meaning of their life on everyday urban streets.

The two short performances that followed the screening, spoke volumes about the same topic, in a very interesting way.



Let us view these two performances in the light of questions around the gendered performing body and the aesthetic associations that we make with it. The ongoing exhibition in the same venue with images from choreographer Chandralekha’s works in fact made these performances even more interesting to watch, with photos verging on eroticism portraying male dancers in close contact on one side, and photos depicting the Yoni with women dancers at provocative angles.

Keeping at par with Deluge, which was performed on the 9th at the same space by Rajan Rathore with Anpu Verkey’s film based on urban decay, Deepak Kurki Sivaswamy and Manju Sharma’s choreographies: NH7 and Rush Hour visited similar topics on streets and everyday life with their physical and visual representations, and highlighted their multiple hierarchies.



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