Preethi Athreya‘s Condition of Carriage on 16th October brought a stunning end to the Delhi phase of IGNITE! 2016.
In this work, Preethi and her team together search for an “honest, functional body” and the visual as well as intellectual power of its raw physicality, and in that process they address various politics associated with it. For example, through its almost gender-neutral treatment of the body, but with slight conscious tweaking, it plays with or against cliched readings of gendered bodies.
It is one thing to see a performance as a product and it is another thing to wait for it, to scratch through the process as the insider and the outsider. And the matter of being in and out is one of the most interesting factors when it comes to #INTERSECT this year at IGNITE!—not just for the performers themselves, but also for the whole Gati team and of course, the audience.
The inside-outside debate is there in every collaborative creative work—how much of it is mine, how much of it is yours, how do two artists approach the much anticipated crossroad? Like just a passerby, without really paying much attention to the other, or like finding a friend—sharing a snack and a tea, or like a competitor or even a bully, claiming the road and pushing the other one off to the pavement—outside?